Description
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- After graduating from the prestigious Arnhem ArtEZ institute of the arts Kate fled to Berlin. With many new ideas and a pocket full of experiences she returned to Amsterdam where her illustrated work was recognised almost instantly. With just a pencil and fine liner she creates the most imaginative pieces of art that draw you into her very own little universe. Slightly dark, feminine, layered and utterly refined sums up Kate’s typical aesthetics.
- About the Artworks: Our official fine art prints are reproduced through a fine art giclee printing process - using an 8 cartridge ink jet printer - providing state-of-the-art color reproduction superior than traditional printing processes. <br />The superior range of pigmented inks guarantee an unmatched color depth and UV resistance, providing an unaltered color quality. The artworks are bright and vibrant.
- Delivery Information: In order to be able to provide our customers with a large selection of Brand Art, ArtOfBrands does not hold any stock. All orders use the latest high quality print-on-demand technologies that provide museum-quality artwork.<br />We pride ourselves on quality and we work hard with our printing partners to provide you with the best results. Depending on the format and size selected, it takes between 7 and 10 days to complete the printing.
Inspired by the work of Muf archtects, London, artist Kate Van Harreveld has created this fascinating print. Founded in London in 1994, muf officially coins itself as 'a collaborative practice of art and architecture committed to public realm projects'. The practice was set up defiantly and explicitly as an alternative to what the founding members, saw as mainstream practice. As the clearest defining set of principles in setting up muf, founding member Liza Fior mentions the 'bringing together of interesting women'. Feminism is not openly mentioned, yet there is an underlying and often explicit tenet of feminism within their work, in particular the notion of collaborative practice signals a commitment to 'mutual knowledge', and the context of the public realm indicates a social (spatial) ambition beyond the fixity of the building as object. muf's work, is known for utilizing the processes of planning where spaces can be left open to include the voices of others; they are, in fact, all about the voices of others.
