Gold Music Story: 1968

I knew nothing about this record before buying it. Okay that’s not true - I listened to a few songs on Spotify which I thought were fun and, because it was pressed by third man records, assumed it would be a quality release. And it IS. It is a sugarcoated pop psychedelic infusion. I doubt the young France Gall had any input on the creative content of this record. It is a producer’s album. But she sounds great and c’mon LOOK AT THAT COVER! Turn off your brain and enjoy.

This is a classic flower-pop album - superior to many far better-known examples of the genre from the U.S and the U.K in the maddening catchiness and infectiousness of the songs. Almost every song has a memorable hook and it never descends into the drippiness that this musical style is prone to. The tone is exuberant, cheeky, mocking, and unwilling to take itself too seriously. Contrary to what some other reviews have suggested, France Gall's singing is exactly right for these songs.If you love 60's pop, I'd strongly recommend it.

This is one of those CD's that is on repeat except the creepy last song.........not sure why they spliced that one on.

all ok excellent condition

I've already heard a lot of the songs on this album, so I'm just rating it 5 stars now because I'm so excited about getting it in the mail!

I should not give five stars to this record,but FRANCE GALL has enchanted my childhood with her innocent charm.I always feel like a kid when i listen to this her last LP for PHILLIPS.FRANCE at this time of her career is no longer the teenager darling of the famed radio program SALUT LES COPAINS.She is now 20 but can't seem to get rid of the image she helped to create a few years ago.The period that will follow will be the most difficult for her.Then in 1974,FRANCE encounters a certain MICHEL BERGER, not at all interested at first place in working with her.But FRANCE uses her considerable charm to convince him to write her new songs.Love does the rest.As for this lp,you only need to forget about your dream of having FRANCE GALL as your kid sister to enjoy it.This is SERGE GAINSBOURG'S last important collaboration for this girl who has brought him fame by recording his songs:NEFERTITI,TEENIE WEENIE BOPPIE and many others in previous lps.

France Gall, a staple in the French music scene for nearly forty years, has been gaining a reputation recently in America for her early pop Go-Go music (or as the french called it, ye-ye music). Most people wanting to indulge their sweet tooth in such fare would be well suited to buy one of the many collections, most of which go by the name "Poupée de son."I take it if you are looking at this album, you have already sampled her wares and are looking for more. Fear not. You have come to the right place.This album probably seemed like a pitiful attempt to come up with some response to "Sergeant Pepper," an album that upped the ante for every artist and claimed the careers of many. So, at least for a while, with France Gall. After a long streak of successful singles, EPs and LPs, this is the last of the ye-ye albums and France went away for a while to retool with some rather bizarre hits in Germany before coming back with more "serious" work in collaberation with her husband, Michel Berger, in the 70's and 80's.But to all people who love the Summer of Love, the "Nuggets" collections and all things psychedelic, the kitchier, the better, this album is a must. The mixture of France's squeaky freshly pubescent voice over the most lavish over-the-top psychedelic production makes for songs Petula Clark or Nancy Sinatra would beg for. And in French! (I'll admit it. Every time she uses le sujonctif, I get goosepimples.)The songwriting is top-notch if a little, ahem, familiar. "C'est toi que je veux" starts with a nice string quartet kidnapped from "Yesterday" before Dusty Springfield's brass section bowls them over then returns to a plucked bass line plucked from "Good Vibrations." "Chanson indienne" is as over-the-top as "Can You Dig It?" from the Monkees' ill-fated "Head."But the star tunes on this album are the ones found on the collections. "Bébé requin" is seductive. "Teeny Weeny Boppie" chugs into strange lands. "Avant la bagarre" starts with a switch so out of left field, you'll have to reverse and listen to it again a couple times before you can finish the song."La petite" is the only clunker, a duet with a man who sounds three times her age and harks back to childish songs she put on her early albums because, well, she was only 14 back then. It's the last track. Just skip it.No, it's not the Beatles. Not even the Monkees. If you want a better singer, Françoise Hardy blows her away. But if you want a museum piece of pure 1967 (which is when 1968 was released) this is for you.France Gall is hard to resist. People who I play her to might hate it on the first listen. Then later they all ask if they can borrow it. Then "sans que tu le sache" France Gall will devour your heart.

The horror !!!Terrible edition. Dominating distortion. There is no pleasure in listening to music.The silence between the songs sound the best.It is the same in all the BACK TO BLACK editions.WARNING !!! AVOID "BACK TO BLACK" VINYL EDITIONS.ADVICE TO THE BOSSES OF UNIVERSAL GROUP: CHANGE THE RESPONSIBLE PERSONEL !!!THIS TORTURE IS TAKING TOO LONG !!!

When I took the record out of the sleeve I was amazed at how dirty it was. There was a lot of white residue all in many places which took a lot of cleaning with my Pro-ject cleaner. When I finally put the record on to play there was so much crackling and popping despite cleaning and the use of an anti static gun.When you do get to a track it’s hard to tell if it’s in a Mono or stereo despite the label stating stereo. I have several quality turntables and the record sounds terrible on all of them, either a really bad pressing or the actual re mastering is poor, no expert so don’t know.

This is a remarkable album. It is possibly the best album I have heard by a female singer in five decades. It does not even matter whether you understand the french language, as France Gall's vocals are so delightful.I love the way she sings the word 'Gargantua', the lively vocals on 'Teenie Weenie Boppie' and 'Made in France' and her charming high voice on 'La Petite', a duet with Maurice Biraud. 'Made in France' may have inspired Althia and Donna's 1977 hit 'Uptown Top Ranking', but don't blame France Gall ! The musical backing on the same song reminds me of music from 'The Prisoner' TV series from the Sixties.It is difficullt to single out the best tracks from the wealth of strong material here. Suffice to say that 'Chanson Indienne' is one of the highlights, and 'Bebe Requin' gets better with every listen. 'Avant La Bagarre' may be the weakest track, yet strangely it appears on the 'Poupee De Son' best of compilation.The musical arrangements and musicianship are impressive, and so is the CD sound quality in stereo. This album would put many other albums by female artists to shame.I can also recommend the late Lesley Gore's album from 1967 'Magic Colours' although it is not French, which remained unreleased until 1994.

Fab! She will be greatly missed.

Ein recht unbekanntes und klasse Album mit leichtem 1968er Hippieflair, einer zuckersüssen France Gall und teils unbekanntere aber wundervoller Songs. Und singen kann sie auch !

un incontournables quand il sagit d'une compilation de ses succes des années 60.