🎶 Unleash Your Inner Star with FLAMMA FV01!
The FLAMMA FV01 Vocal Effects Processor is a versatile pitch-correction pedal designed for singers and musicians. It features three EQ modes, optional phantom power for condenser mics, and dual output modes, making it perfect for live performances, streaming, and recording. Weighing only 0.37 kg, it combines portability with professional-grade sound quality.
Item Weight | 0.37 Kilograms |
Color | FV01 Pitch Correction Pedal |
Style Name | Compact |
Signal Format | Analog |
Amperage | 300 Milliamps |
Voltage | 48 Volts |
M**R
FLAMMA FV02 Doubling and FV03 Character Vocal Pedals
The Flamma FV02 Doubling and FV03 Character pedals are very useful pedals that can inspire creativity and fun! Each provides its own unique spin on vocal alteration. With the FV02 Doubling, you can double your voice or have an ensemble of you. Or, you can add a pitch shifted version of yourself, either as a baby voice or an octave down voice, or both! The FV02 gives a chorusing effect. With the FV03 Character, the first setting pitches your voice a tritone down, perfect for a horror vocal voiceover. Or, you can pitch your voice up an octave to female or baby timbres. Or, you can have a vocoded robot drone in three varieties and sing a melody over it. The Blend knob will allow you to blend your natural voice in as much as you like. Both pedals can add reverb to your vocals, available in three types, which all sound very nice. Both pedals have a nice option of disabling only the vocal mode effect (indicator around switch turns red) while keeping the reverb, or double click to turn both effects off (unlit). The guitar input is designed to give your guitar a little bit of reverb shimmer and works best with an acoustic-electric or clean electric sound, but you could certainly run your guitar into a distortion pedal then into the Doubling if you wanted some distortion. I wouldn’t distort your sound after the doubler because you’ll want to keep the reverb clean and crisp. One tip: Don’t let your input signal be too hot. I had the best results using an external mic preamp with output volume set fairly low. With this setup, you would switch the XLR input to line. The other useful option is just to plug your mic directly into the pedal. I used a good dynamic mic and set the gain about halfway on the Doubling and 2/3 on the Character. Use a small flathead screwdriver to turn the gain knob. Be careful not to set the input gain too high or you will get a very loud, nasty squeal back! The enclosures seem sturdy, and I love the vibrant colors! All in all, these are nice pedals that can add some creative effects once you learn how to use them.
S**S
Vocal Helper
This pedal adds a variety of helpful features for vocals, including EQ modes, three kinds of reverb, three kinds of delay, and of course, pitch correction. The pitch correction is subtle. You aren't going to get Auto-tuned vocals out of it, but it will help if you slightly flub a note. There are a variety of routing options to allow you to have an instrument pass through to detect the key of your music for the pitch correction. There are also options to route both instrument and vocals either through the 1/4" or XLR output. I found that with the signals merged, the instrument was far louder than the microphone, even with the microphone gain turned all the way up, so if you plan to to use a single output, you may need to attenuate your instrument signal or further boost the microphone signal prior to this pedal. Using separate inputs posted no problem, and the phantom power worked well. This could be useful simply as an easy source of phantom power for those cases where it is not otherwise available. The reverbs and delays sound very nice, but only the reverb can be used on the instrument signal, while both can be used on the vocal. Overall, this is a very useful toolkit for vocals featuring most functions you would need on most all the time with a good selection options.
L**K
4.3 is better. It's good! It is NOT great.
How "good" can auto-tune be??.. This thing helps, but EVERYONE is going to KNOW, you are using auto-tune. So, like, what's the point?? It might give you the "edge", that little extra COURAGE to get up there and do it. IT IS GOOD FOR THAT then, if that is the case! Yes, it corrects well, but you can definitely tell. The reverb sounds too dense, no matter what the setting. The delay is pretty decent I guess. Tap tempo works great to change it between songs on the fly. Live, this may be really helpful. NOT very great for recorded tracks where you WILL hear this thing in action. (not a good thing). Price is not bad for the number of features! Has 24V boost. Works with Instruments and vocals. Has XLR, and 1/4 in/out. Pretty good in terms of value. I'd get it, if you are a beginner, just starting. YEP!
A**R
Cheaper is not always better
Received the Flamma FV04 and was pleased with the visual effect and couldn’t wait to check it out but when I did finally have time to set it up I took out the instructions and was disappointed there wasn’t enough information on the very small sheet to figure it out, I actually had to go to YouTube for some help. Finally down to business with everything turned on I became very disappointed. The reverb was good but the Harmony is horrible, I followed directions the best I could. My son said it was ok if you want to listen to Minnie Mouse , Donald Duck and Goofy. I can’t use the harmony at all and that was why I bought it. Good luck if you buy it but for me it’s not what I expected
D**Y
This is not for professional use
Great looking pedal. Plugging it in to test it out. Sounded like someone drove up to my window and was playing music out their car window. The pedal was actually picking up music from the airwaves. Messed with the controls and was able to tamp that sound to just static. There's no way I could use this on stage. It makes noise. I found it easy to use, though I would prefer "clicks" in my dials. You can smoothly turn the knob between keys, which makes no sense. Would also prefer the feature like the Boss VE-2 has, where you have a knob that goes from Direct to Harmony, with a blend in the middle. That way you can mute the natural voice and only let the harmony voice sing. Useful for Octave +. You can't do that with this pedal. It is true the harmony voice gets a lot quieter when you back off the mic. I'm looking for a more dominating harmony voice, and one that can be isolated, so I returned this back to Amazon.
B**H
Makes what you’re singing sound that much more professional.
It works great!I can usually sing the verses of a song fine. But sometimes the chorus can get a little high for my range. The harmonizer adds background vocals that help me sound awesome ! I highly recommend !
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