Fantastic 1

Excellent release beginning to end lyrics & beats mesh well together.

I simply loved the product! It was brand new, and had all the tracks that took you back to those better days in Hip-Hop. The seller shipped it out and had it delivered quickly! I certainly would recommend it to anyone else looking for good music with awesome sellers. Outstanding Job!

The beats are hot. I have all of slum village CDs now and this volume1 was nice. The beats were smooth. All I do is sit back listen while I am out driving.

Aside of the literally filthy lyrics, this album has some of the most magnetic beats of todays music factory! Add this to your collection, pronto!

Thank you very much

I love the original Fantastic Vol. 1. It captures a time in hip hop when good music was timeless and not just current. However, for the record, I own the first, out of print, version of this release and it only has 10 tracks. This is the version I know. However, the re-release advertised here has all the original tracks plus 14 additional tracks. In case you didn't know, Slum Village makes really vibey music, not very conscious, intelligent, or lyrically potent. But Jay Dee really makes it all sound sooo perfect on production, that it sounds like it was meant to be just as it is. Too much fancy lyricism would have taken away from the chill vibe of this music. If you like jay dee production, or hip hop in that lovely late 90's period, get this CD. P.S. take my advice, Fantastic Vol. 2 is the only other Slum Village release worth anything at all. After that, it was all B.S.,brain dead, bling bling, sellout rap.

Following his heralded production work on classic A Tribe Called Quest and Pharcyde albums, Detroit producer Jay Dee introduced his hometown group Slum Village, a trio consisting of T3, Baatin, and himself. After making a name locally, their demo tape "Fantastic, Vol. 1" was recorded and pressed regionally in 1996, leading to a record deal and subsequent celebrated major-label debut "Fantastic, Vol. 2." While Slum Village went on to find both commercial and critical success in the new millennium, "Fantastic, Vol. 1" never saw a proper release, and in 2005 Barak Records released a 24 track version following Jay Dee's tragic untimely passing. Owners of the original are quick to point out that this is not the demo tape--while the two do share tracks, the 2005 version has 14 additional tracks, many of which are short studio outtakes. The result is a unique, fascinating product; it has the unfinished feel of an album in progress that allows the listener to see a musical genius at work and the early formations of a great rap group.With 24 tracks over 52 minutes, most of these wouldn't be considered songs--the more accurate description might be that they're "ideas for songs." The short clips include botched studio recordings, unpolished beats, single, disjointed verses, and a few live performances. Some of the vocals are distorted, the balance is often a bit off, and the recordings sound dusty. But even in such an intermediate state, the entire tracklist has in common a joyful, spontaneous feel and a rich, pure hip hop sound. With numerous guests, some who would become famous and others who wouldn't, it's easy to imagine an excited, optimistic crew of local MCs working on these tracks in Dilla's home studio. Dilla's genius is obvious here, and that the music has such a magical quality even in its unfinished form is a testament to his greatness. The beats are built on minimalist instrumentals and soul samples, which Dilla chops up like no other. It's a transcendent sound built on organic soul vibes, live jazzy qualities, simple and catchy melodies, and while not a far cry from his work with the Ummah, it is distinctive. He employs obscure soundbytes to give it an atmospheric, at times otherworldly vibe, but it remains pure, feel-good music with a bouncy, laidback tempo. Not unlike his swan song  Donuts , it presents beautiful music in a way we're not used to hearing it. We too easily take for granted what a finished album should sound like, and Dilla proves that hip hop can still be beautiful without a studio polish.The most common knock on Slum Village is that they're underwhelming rappers who, for the most part, let the beats do the talking. And given the beautiful mood music that Dilla supplies them here, it's easy to expect that. Granted, most of the lyricism here is pretty insubstantial, but what they may lack in lyrics they make up for in spirit. They add to the music by both matching and contributing to the vibe Jay Dee creates, getting busy with ad libs, hooks by committee, and classic b-boy-isms. Even if the light rhymes get a little tiresome, it doesn't take away from the artistic, creative, and most of all fun tendencies of the recordings--it's both expressive and emotive. With a moldable style at their young ages, the unfinished, raw feel is tellingly appropriate. Young SV presents the spirit of classic hip hop."Fantastic, Vol. 1" is one of the first embodiments of Jay Dee's Detroit sound, and is both an artifact and a pleasure to listen to. It presents a genius at work, a group on the rise, a classic album in progress, and sounds great. While it doesn't play like a conventional album, fans of Slum Village and Jay Dee's catalog will find it especially endearing. Given Baatin's passing in 2009, I hope that this album will be revisited for another reissue.

One of the D's finest. A lot of cats hate on Slum Village mostly because they compare them to other artists instead of just accepting it for the music. Look, if you put on a record (of any genre for that matter) and it makes you feel good inside why knock it? They may not be as lyrical as Kweli or as true as De La, but damn they made a dope LP with the beats to back it up and the power to make you reminisce of the good ol days. Peace!

FAN-TAS-TIC WAHT MORE CAN BE SAID