This disc combines what were originally two separate albums recorded in the late '60s and early '70s. With the larger budget he had to make these recordings, Moondog (born Louis Harden) was able utilize a substantially larger orchestra than he had previously. The pool of musicians were largely classically-based players, but also included such jazz regulars as Hubert Laws (on piccolo) and bass players George Duvivier and Ron Carter. The music ranges from the rhythmically charged ''Stamping Ground'' to the ethereal ''Symphonique #3.'' A number of these pieces are the result of Moondog's ongoing fascination with the overlapping form of the round (which he began composing in the early '50s). While orchestral in scope, there is a folk-like bearing to his overall vision. This is warmly engaging music and a perfect entry point into the musical world of this unique composer.
L**W
Interesting
On first hearing I thought it dull, but after a few listenings it becomes more intriguing and spirited, although the individual tracks sound like sketches for further finished work.
A**R
Moondog rules!
What a joy to come across this man after so many years. Genius is perhaps overused now, but his talent and musical understanding, borders on that of Bach and Beethoven. Like many l suppose, I first heard him on thr CBS classic “Fill Your Head with Rock” compilation. Stomping Ground being the featured track. Seeing him live was an unforgettable experience.
L**S
A brilliant encompassing collection of his work
What’s not to like
A**E
Weird and brilliant.
Beatnik heaven, man. Weird and brilliant.
S**L
Five Stars
good
H**L
Howlingmoon
Superb pieces of classical/jazz cosmicolagy,which doesn't date.A sometimes thing.
P**O
Simple childish rhythms and various voices and instruments does not constitute good music. It's is now among items for a ...
I read about Moondog in a book recently and remembered him from the 60's, although I could not remember his music. So I bought the cd out of interest, I wish I had not bothered. I have heard it described as jazz but jazz it's not. Simple childish rhythms and various voices and instruments does not constitute good music. It's is now among items for a car boot sale.
R**N
This is not Moondog on CBS 1969!
I was expecting the music from Moondog’s self-titled CBS album dating back to 1969, but the music on this cd is different - and way less interesting - than the album.
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