The Feminization of American Culture
G**E
Revealing how early the "woman's perspective" took hold
This phenomenal book is long, but requires a thoughtful reading, because what was evident to Ann Douglas concerning the 19th century in America is exacerbated today. I have written extensively on the topic from a Catholic perspective (feminine-genius.com) but will have to tweak many of my assumptions -- beginning with the misguided notion that "feminisation of culture was a 20th century project." By the turn of that century, it was long underway--perhaps irreversibly so!
S**.
Three Stars
quick service, Would do again Thank You AAAAAAAA++++++
A**N
Fabulous book
The Miami-Dade Public Library System does not have this book. Needed it for my continued studies of my thesis as a graduate of a women's Liberal Arts College. Thank you, Amazon.
G**N
Unique and Important Study
This book was a revelation to me.It was also a bit more than I could chew, and though I did finish the book, I wish now that I had held on to it to refer to later. I agree with an earlier comment that the bio of Margaret Fuller is a great perk to this volume.If you read this book, and then observe the shenanigans of the press and street talk surrounding Hillary and the 2008 election, you'll have a much clearer picture of what is driving the misogynystic views of so many women in this country today. I think the book's premise also helps explain how characters counter to the advancement of women such as Ann Coulter or Phyllis Schlafly come about, and particularly, why they have such a devoted following among other women.The book is extremely complex and unravels like a mystery novel. It was obvious to me in just a few pages that it would require my full attention. It is not easy reading, but it is important reading.
G**K
Not a feminist polemic, nor "cultural criticism"
This is foremost a history, and has a focus rather more restricted than its title would suggest, surveying the careers and lives of thirty women and thirty (male) ministers involved in the "feminization" of northeastern Victorian America. The author convinced me in arguing for the significance of said feminization, but I felt burdened by all the biographical minutiae. One has to ignore reams of trivia to grasp the larger themes hinted at in the titles of the chapters (e.g., "The Escape From History," "The Domestication of Death). Where the author breaks the tedium with an impassioned commentary, she seems to be writing a different book altogether. But Douglas's treatment of the theme is original and even-handed, and her short biography of Margaret Fuller compensates for the tiresome church histories.
F**I
masterly
One can only imagine the work that has gone into this staggering piece of intellectual history - whose axis is the unforeseeable and fateful rise of the female public in American intellectual life, and contemporaneously the collapse of the old, muscular style of Protestant religiosity and intellect - from the kind and number of sources the author uses. She has apparently trawled through reams and piles of obscure newspapers and magazines, familiarized herself with writing most of us would be glad to avoid, learned to distinguish the various strands of an intellectual and publishing life which is, to modern America, as alien as imperial China or early Sumer. The result is tremendous: not only a resurrection of a past age that does it honour and justice (if anything, one seems to perceive, in this female scholar, a certain sympathy - even nostalgia - for the utra-male, activist, iron-faced world of the old Puritan thinkers, post-Jonathan Edwards and his likes), but a flood of light on the origins of our (not exclusively American) world and society. This simply cannot be praised too much; future historians will not be able to prescind from it.
M**L
Some doors, you can only go through one way
My brief comment is this; identifying a "feminization" of hymns via Fanny Crosby is a bit of a big worry; what ARE the hymns that precede these, that worked to strike fear and terror into the congregation?As for Handel's Messiah, that wonderful, emotion soaked piece of genius from 1741? The difficulty is that once you actually know the resurrected Christ, anything will set you off into joy. But going back to the days of the rough and the brutal and the fearful? Be very careful; you won't find out where that leads until it's far too late.
J**D
Not recommended.
I was bored. Hard to keep going.
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