Animal Anatomy for Artists: The Elements of Form 1st Edition

Animal Anatomy for Artists: The Elements of Form, was recommended by a friend and fellow Taxidermist from South Africa. I thought I had all I needed in the way of animal anatomy books, and as a veteran Taxidermist of some 45 years experience, I thought I had much in the way of mammal anatomy figured out. Well, I do, but this book is like looking at one of my favorite subjects with 'fresh eyes'! What a superb addition to any Animal Artists library.No matter what your medium ... oils, watercolor, pencil, clay, crayon, or yes even Taxidermy ... this book will be a huge benefit to anyone striving to learn more about their favorite subjects of the Animal Kingdom! There are more mammalian species covered in detail in this book than in any other. And the breakdown of individual muscles is as I have never seen before. The author Eliot Goldfinger has really delved deep beneath the skin of actual specimens to bring this treatment of the subject of animal anatomy to life!Each new chapter is prefaced with a small amount of descriptive text regarding the subject being handled, but does not go too deeply into their natural history and habits ... something not required when interest in the anatomical study is all that is required. There are a plethora of books out there that concern themselves with the Natural History of a particular animals life.This book does what one wants ... explains and illustrates mammalian anatomy as no other single volume has done before. And I applaud Mr. Goldfinger for his efforts! This book is a very welcome addition to my library, and I am certain it will be welcomed into yours.

This book is phenomenal! I wasn't sure what to expect, even with the reviews! But this book discusses the anatomy of all animals in general! It does go over some animals in more detail, however, it does give diagrams of the muscles of most animals, and the information will be very useful for me in sculpting animals; whatever animal it is I decide to sculpt! I have pretty much just browsed through it and haven't read it yet, but I am very please with it!

Wow! I was completely blown away when this book arrived in the mail! I purchased this book for a course I'm taking in college that is basically an intro anatomy and evolution class but uses a lot of sketching and animation to teach these things. I wasn't too enthusiastic about the art portion of this course and was less than thrilled about having to buy a $40 book on drawing animals....or so I thought.When this book arrived I was pleasantly surprised! It was EXTREMELY detailed and every muscle was painstakingly labelled. This book isn't a 'how to draw...' book, although it does have a lot of that. The beginning has a lot of info about body plans and proportions. While these first chapters have a lot of tips and help for artist, its basically assumed that the reader can already draw or has a general understanding of how to shape an animal. You wont find any basic steps on drawing or sketching. Goldfinger is really clear in his explanations and gets you to look at the structure of a body in a very simple, easy to understand way.The majority of the book is of diagrams of the muscle and bone structure of different species. I'm not just talking cats, dogs, and horses either! This book has full, completely labelled and correctly proportioned diagrams of everything from lions and seals to hippos and lizards. Every single one has all or a majority of its muscles labeled. The more common animals are even more detailed in there being various views and closeups of certain areas.I have almost no qualms about this book but I will point out a few things. First, if your more interested in skeletal anatomy this may not be the best book. Most of the concentration is on muscles since, i guess, that's more significant to an artist looking to draw these creatures. There are skeletal diagrams of the more common animals so its not completely lacking in that sense. The other issue I had was in the way muscles were labeled although I don't know of any other way the author could have done it. Basically every muscle was labeled with an abbreviation and then at the bottom of the page is a key in which the abbreviations and their meanings are listed alphabetically. This made learning the muscles kind of tedious and confusing but honestly, with ALL those muscles to label, I don't see any other way of doing it.Originally, I planned on keeping this book in perfect shape so I could resell it at the end of the semester but Im most definitely keeping it! There are endless ways that this book could help me in the future. I recommend it for ANYONE wanting to learn more about animal anatomy. Not just artists. I've had other anatomy textbooks that aren't even this thorough.THE BEST BOOK PURCHASE I'VE MADE ALL YEAR!!!

This book arrived in a timely way and was well packaged and carefully wrapped. The book itselfis detailed and easily understood with great drawings.

I started using this book for my animal drawing students I teach at a university in southern California I've been at for more than 10 years. I used it to replace "Animal Anatomy for Artists" book by Ellenberger, Dittrich, and Baum (Dover Publications). The reason is that THIS book has more variety of animals with up-to-date terminologies which is more user friendly for the artists, a larger variety of animal bone and muscle references and illustrations (Including rhino, hippo, giraffe, elephants, etc.) which the other book has only a few.This book also shows a breakdown muscle by muscle attachment points and also some photographs of the animals being examined.The only weak spot is that in some of the diagram illustrations of biomechanic range of motion on some of the animals (particularly the horse) the range of motion is extremely exaggerated and unrealistic. Having been a horse trainer for years and knowing these animals exremely well, there are some ROM drawings that are not accurate at all. Other than that, if you don't look at those particular bone illustrations for that reference, the book is pretty good.I am using this book both for slides, homework, and in class studies.

I'm a middle school art teacher and am using this reference for drawing assignments with my students.